Berkshires arts reviews

July 24, 2007 performance reviewed by Ronald K. Baker

Was “The News in Revue” that good (as reported opening week, June 29)? The only way to know for sure was to bring my pal who is on a first name basis with N.Y.C. What would he think? Yup it was that good. The comedy troupe playing six nights a week at The Mountainside Playhouse at Bousquet Mtn. are something special indeed.

How do you bring 100% of yourself to the stage physically, mentally and musically night after night whether the crowd is on or not? By being a consummate professional, that’s how. Not only does this crew continually hone their material to incorporate some of the most current stuff available but they also improvise on their standard material playing off each other on a moment by moment basis. Hence they have a spontaneity that makes each night something truly special.

One way the talented players get to their most hilarious selves is by interacting with audience members in daring almost free-falling exchanges. Their repartee reveals how agile and quick the cast is. They always seem to land on their feet in spite of some rather concerted efforts to trip them up by would-be wits in the audience. The phrase “never at a loss” comes to mind.

Returning for a second look at the “News in Revue” revealed some nice upgrades, as well. Air quality and seating both are improved since opening week. The voice levels kept pace with the keyboard accompaniment so no lines were lost. It remained a struggle not to laugh excessively in order not to miss out on a single syllable of the cutting satire.

Each of the four on-stage players excelled in several different roles representing a host of personalities, some well-known and others cleverly contrived. My personal favorites remained the same as on my first visit. Bill Clinton was superb. Sweet Sue, the job fair lady, and the Bombay phone guy were hoots. And kudos again to the over-the-top jaw-dropping Janis Joplin imitation. Acoustically balanced and impeccable musical support was provided by keyboardist and director of music Brent Frederick.

The overall quality of the singing and dancing impressed my city-going friend as well. Alexander Rovang, Musical Director Emeritus, deserves credit. As do the lighting technician, production people, writer/creator, props, stage and costume folks, any and all who have a hand in this “must see” side-splitting romp. Get thee to the “funnery.”