The setlist for Bob Dylan's June 23 concert in Pittsfield's worn green wooden Wahconah Park (built in 1919) was old, with 9 songs from 1967 and earlier, and the playing was more jazz blues than blues rock, reflecting the presence of newcomers Denny Freeman (guitar) and Donny Herron (steel guitars, banjo, fiddle, mandolin), who joined Dylan's band in March.
Together with lead guitarist Stu Kimball (joined last June), their leads and solos, rooted in a raft of genres, provided apt accompaniment to Mr. Dylan, whose singing was strong and varied, whose keyboard playing was high in the mix, and whose center stage harmonica solos included some that made him resemble a wooing suitor.
Dylan sparkles in Pittsfield return
Knowing Bob Dylan's lyrics is not a requirement to enjoying his shows, but it'll give you a leg up. The best way to learn them is to listen to the albums. You're not going to learn them at the shows, where they take on an extra-literal dimension, with Dylan often treating lines of lyric as if they were strings on a guitar.
A big, broad rendition of "Drifter's Escape" (John Wesley Harding '67) that gave everybody in the band time to get limber was the opener, followed by "Just Like Tom Thumb's Blues," which had the band laying low while Dylan sang, intoned, and crooned the beatnik-crazy lyric all the way down to the penultimate stanza,
after which Herron let loose a wailing steel guitar riff that sent the band off on a rollicking ride that Dylan finally whistled to a stop with a center stage bended-knee harmonica coda.
That was the first of three songs from Highway 61 Revisited (August 1965) and the next on this setlist comes from Bringing It All Back Home (April, 1965), a rendition of "It's All Right, Ma (I'm Only Bleeding)" that was worth the price of admission all by itself. While the band took their stellar turns weaving the melody and waxing the groove, Dylan kept his focus square on the audience, leaning over the keyboard to deliver the song that contains the line that always gets a loud response,
Bass player and musical director Tony Garnier and drummer George Recile underpin the whole operation with masterly playing, adding accents, embellishment, and punctuation in all the right spots. Garnier, a fellow Minnisotan, has been on Dylan's Never-Ending Tour since its second year, 1989; Recile, from New Orleans, has been Dylan's drummer since 2001 (which frequently, but not tonight, requires being the object of Dylan's silly dumb-drummer jokes).
An interesting bit of business at the Pittsfield concert was Garnier reaching up and slapping one of Recile's cymbals, to signal the start of "Chimes of Freedom," from the 1964 album Another Side of Bob Dylan, which, in a multi-layered acoustic rendition, was one of the show's most affecting numbers.
What a piece of writing that song is! From the opening lines,
to the closing verse,
The first of 2 encores came from that album, too, "It Ain't Me, Babe," Dylan opening and closing it on harmonica. The Turtles had a huge hit with it in 1965, and the genius of Dylan the composer can be glimpsed by scanning the range of artists who have covered the song: Hugo Montenegro, Nancy Sinatra, Flatt & Scruggs, Sebastian Cabot, Glenn Campbell, The Mike Curb Congregation, Duane Eddy, and Johnny Cash, to name just a few!
The only song that didn't seem to work this night was the set-closing "Summer Days," (Love and Theft '01) which sounded earnest but fatigued. The other 2 songs from Highway 61 Revisited were the title song, given a thundering reading an hour into the show and "Like A Rolling Stone," the grand finale, the song so grand it has its own biography!
For our story about Bob Dylan's 1963 performance, as Joan Baez's unannounced guest at her Pittsfield Boy's Club concert, please go to this page.
June 23, 2005 setlist: All song lyrics available on: bobdylan.com
Local business listings on BerkshireLinks.com, with custom Google maps: